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Marianne Egan and her children Gertrude Evans Cahuac and Henry William Cahuac, 1857

Purchased with funds provided by the Liangis family 2014

Len Evans, 1978 (printed 2003)

Collection: National Portrait Gallery
Purchased 2003

Cadel Evans

Recorded 2016

Cadel Evans

Australian champion cyclist Cadel Evans discusses his career.

Aubrey Beardsley

Cadel Evans, 2008

Commissioned 2008

Ada Evans, c. 1902-1911

Purchased 2021

Sir Joseph Banks, 1810

Purchased with funds provided by the Australian Decorative and Fine Arts Society Canberra 2000

Winning in technicolor

Alistair McGhie writes about the portraits of three of Australia's top professional cyclists: Cadel Evans, Stuart O'Grady and Robbie McEwen painted by Matthys Gerber.

George Rose, 1811

Collection: National Portrait Gallery
Purchased 2012

The Rt Hon. Henry Robert Stewart, Lord Viscount Castlereagh, MRIA & FRS, 1814

Collection: National Portrait Gallery
Gift of Ted and Gina Gregg 2012

Robert Fitzgerald, c. 1860s (printed c. 1890s)

Gift in memory of Richard Kelynack Evans 2010. Donated through the Australian Government's Cultural Gifts Program.

Portrait 30

This issue of Portrait Magazine features the inaugural hang of the new National Portrait Gallery, Cadel Evans, Stuart O'Grady, Robbie McEwen, Casey Stoner, Bruce Petty and more.

Mia Boe

Mia Boe is a Narrm/Melbourne-based artist known for her haunting and evocative painting practice, informed by her Butchulla and Burmese ancestry.

Atong Atem

Atong Atem is an Ethiopian-born, South Sudanese artist and writer living in Narrm/Melbourne. Her work explores migrant narratives and postcolonial practices in the African diaspora.

Maritime disaster leaves poignant picture

Absence rends the heart asunder

Sir Sidney Kidman, 1932

Purchased 2009

Richard Fitzgerald, c. 1838

Gift in memory of Richard Kelynack Evans 2010. Donated through the Australian Government's Cultural Gifts Program.

Anders Ousback, 1986 (printed 2018)

Purchased 2018

Is the truth of portraiture vested exclusively in likeness?

Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.

Portrait of Charles Blackman, 1979

Gift of Warwick Evans 2021. Donated through the Australian Government's Cultural Gifts Program.

Dave Tice, 1978 (printed 2018)

Purchased 2018

Sideshow Alley

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

Bon Scott & Angus Young, Atlanta, Georgia, 1978 (printed 2010)

Purchased 2010

Gustavus Brooke, c. 1865

Collection: National Portrait Gallery
Purchased 2010

David Combe and the portrait, 1983

Collection: National Portrait Gallery
Gift of David Combe 1998
Donated through the Australian Government's Cultural Gifts Program

Headspace 1

Headspace showcases portrait art produced by secondary students from Year 7 to Year 12 in Government, Catholic and Independent schools in Canberra and its surrounding regions extending to Wollongong, Deniliquin, Leeton, Crookwell, Bombala, Narooma and Albury

Captain W Kinghorne, 1834

Collection: National Portrait Gallery
Purchased with funds provided by The Ian Potter Foundation 2007

Lucy Escott, c. 1861

Purchased 2009

Michelle Simmons, 2018

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

2015-17 Acquisition Fund

From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.

Masters of Fare

Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.

Go glossy!

In association with the Glossy 2 exhibition, eight year 10,11 and 12 students spent two days transforming themselves into a variety of alter-egos in the first ever 8x10 Glossy Photo Shoot Workshop.

Exposed: Voyeurism Surveillance and the camera since 1870

The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.

Krystal Seigerman

The photograph was a brief, candid moment, which unfolded into a portrait. Peter and I were in Silverton, NSW, chatting as our students explored the town. The weak afternoon light suddenly became dramatic and defined, so I asked Peter if I could take his portrait.

Hop, skip, shoot

Former NPG Deputy Director, Simon Elliott talks with Ern McQuillan about his life and career as a sports photographer.

Anthony Anderton

An interview with the photographer.

Louise Whelan

I met Kaloti Parmjit the day I took the photo. I first visited the Sikh temple in the suburb of Glenwood to take photos as part of a social documentary project I'm undertaking for the State Library of NSW.

Poise and Carats

I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.

Hyperversity

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

A spectral sentience

Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.

Little women

Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.

All dressed up

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

Big bouquet of Blackmans

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

Hard truths

Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.

Robyn Sweaney

Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.

Study in scarlet

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

Portrait Donors

The more things change...

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

The personal and the historical

Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.